Introvert Pervert

$20.00

By Jendi Reiter

Jendi Reiter’s Introvert Pervert is politically personal and personally political, bursting with post-confessional wit and tenderness—”when the unspeakable sits on your sofa / crying pinkly for fifty minutes / and you win prizes for dancing with it.” The poems “confess” in therapists’ offices, both “real” and imagined (e.g. Dr. Jennifer Melfi from The Sopranos). A woman becomes a man, a child becomes a parent with a delightfully neo-surrealist intolerance for intolerance, school shootings, banned books, and the tortured children of Palestine. Is to love all creatures perverse? Then I’m a pervert too! Jendi Reiter ventures behind the hideously perverse headlines and turns to poetry where the real truth lives. They write poems about all the ways our complicated lives have been further complicated by hate. And this introvert pervert/poet isn’t going to take it, isn’t going down without a cuddle.—Denise Duhamel, author of Pink Lady

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About Jendi Reiter

Jendi Reiter is the author of the novels Two Natures and Origin Story; the story collection An Incomplete List of My Wishes; and six poetry books and chapbooks, including Made Man and Bullies in Love. Their awards include two Massachusetts Cultural Council Fellowships for Poetry, the Oscar Wilde Award from Gival Press, the Saints & Sinners Festival Award for Poetry, and the Rainbow Award for Best Contemporary Gay Fiction. They are the editor of the writing resource site WinningWriters.com. They live with their family in Western Massachusetts.

Praise for Introvert Pervert

Few poets can alchemize potty humor, incest survivorship, and pop culture and render the creation into YHWH-facing art. But Jendi Reiter can. In Introvert Pervert, be it through cruising erasures or an homage to Tony Soprano, the speaker dips his toe into a lake that was once frozen, a “river of jawbones” or “the flood with the carnivores” and their “reptilian sludge.” The undertow—a strained but evolving marriage, “people” who “love sunrises and want me dead,” the memory of a mother unmothering—is mighty, but the poet’s tide is stronger. What the speaker calls a “blunt instinct to worship” the reader might, and should, call an honor to witness.Remi Recchia, author of Addiction Apocalypse

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